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Dance Luminary Matthew Ball on Demanding Roles and Social Media Attention: 'I Don't Feel Precious About My Body'

Within the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is naturally straight-backed, his arms muscular beneath a plain white T-shirt. On stage, dancers can seem as mighty deities, yet often in person they are small. Not so Ball, whose tall stature is one reason for his demand for heroic characters and partnering. With delicate features and piercing eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Top

Now 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced little teasing for his childhood interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the troupe and was advanced annually, reaching the top rank of lead dancer in 2018. He has loved tackling meaty dramatic roles, particularly the emotional angst found in Kenneth MacMillan's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next featured role is as himself, in an "Evening With" series designed to offer behind-the-scenes perspectives into a performer's art. He will walk the crowd through a role, demonstrating his cognitive workflow while performance. Even in lighter ballets, the challenge is profound. "A classic ballet is one of the most demanding technically," he notes.

The Mental Struggle and Post-Performance Feelings

How does he feel after a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, quite often I do feel embarrassed later. After an intense role I'm always thinking: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and prone to laugh at himself. But a choreographer previously remarked on a "sense of suffering in him." Is there? "I am very active in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Early Motivations and Artistic Influences

Ball's determination originated in early experiences. Not excelling in contests at school made him "vengeful!" This became motivation to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming challenge is creating his own dance works. In his view, "there's nothing wrong with." "Breaking the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, music, and painting.

Close-Up Dance and Personal Dynamic

He also favors staging dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." The couple are not typically matched on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Image

On Instagram, fans can see clips from his projects and photos that highlight a athletic physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be interpreted on various levels.

Ball describes his younger self as "desperate for success." Has it lived up to his expectations? "I am conscious of how life is a different reality to the aspirations you made as a child," he reflects. He likely has about ten years of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

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Written by

Gary Garcia

Energy analyst with 15+ years in UK grid operations, specializing in renewable integration and market forecasting.

GridExPrime

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